Postmodernism
Theories of genre - John Fiske - American professor of Communication arts, 2000s.
9/11 - "Like something out of a movie."
People refer to movies as real experiences often can relate to what is seen in films.
Claude Levi-Strauss - French Structuralist, 1970s.
Levi-Strauss developed the concept of bricolage.
Levi-Strauss saw any text as constructed out of socially recognisable 'debris' from other texts.
He saw that film makers construct texts from other texts by a process of:
- Addition
- Deletion
- Substitution
- Transposition
Inglorious Bastards
Quentin Tarantino added a revenge element.
He deleted the battles and the big fights that would normally occur in a war film.
He substituted battlefield fights (exterior) for cinema/bar fights (interior).
Gerard Genette - French structuralist - 1990's.
Genette developed the term 'transtextuality' and developed five sub groups, however only four apply to film.
-Intertextuality (quotation, plagiarism, allusion)
-Architextuality (designation of the text as part of a genre by the writer or by the audience)
-Metatextuality (explicit or implicit critical commentary of one text on another text)
-Hypotextuality (the relation between a text and a preceding hypotext - a text or genre on which it is based but which it transforms, modifies, elaborates or extends including; parody, spoof, sequel, translation).
Baudrillard
Developed the ideas of McLuhan to the point where it is possible to deny that the message underneath the medium has any substance at all. Therefore, the audience comes to perceive through the media, a world that appears 'real' but it is not.
Baudrillard developed the idea of simulation and simulacra.
Simulation - the process in which representations of things come to replace the things being represented... The representations become more important than the 'real thing.'
Simulacra - They have no relation to reality, they simulate a simulation.
9/11 has now became the coverage rather than the event itself.
Hyperreality - a condition in which "reality" has been replaced by simulacra, argues that today we only experience prepared realities - edited war footage, meaningless acts of terroris, the Jerry Springer/Jeremy Kyle show.
The very definition of the real has become: that of which it is possible to give an equivalent reproduction... The real is not only what can be produced, but that which is always already reproduced: that is the hyperreal... which is entirely in simulation.
Illusion is no longer possible, because the real is no longer possible.
Frederic Jameson
He rejects the idea of postmodernism.
Jameson essentially believes that the postmodernism provides pastiche, humorously referencing itself.